Amiina

Kurr, Amiina If you know Amiina, you probably know them as the quirky and whimsical Icelandic band that opened for Sigur Ros. The female quartet mixes bells, harps, even wine glasses and saws, together with electronic and more traditional instruments to create really just lovely sounding stuff.

I don't yet have their latest release, their official debut album Kurr, but I do have both of their previous EP's Seoul and AnimaminA, and I think they're definitely worth your time. It looks like a few of the tracks from the EP's made their way onto the new full length album. I grabbed AnimaminA from eMusic, but unfortunately I had to resort to iTunes and DRM to get my hands on Seoul.

Kurr is set for a June 19th US release, and I'm looking forward to hearing the full thing.

Their record label Ever Records has set up a charming little site to promote the record, where you can stream a few tracks and get a free download of the track Rugla if you provide them with an email address. There's an interesting video to watch as well. Sadly, they've trapped all this content in Flash, so I can't give you any direct links.

Related Amiina MySpace Profile Official Amiina Site Amiina Wikipedia Entry

must you smash your ears before you learn to listen with your eyes, Joy Wants Eternity

must you smash your ears before you learn to listen with your eyes, Joy Wants Eternity I learned about Joy Wants Eternity from Now Like Photographs, and I've been enjoying their debut EP must you smash your ears before you learn to listen with your eyes for the last week or so. It's intstrumental rock type stuff, and if you like Six Parts Seven or Grace Park Cathedral, you should have a listen to their work.

I don't yet have their latest release, but you can stream complete tracks from their new album You Who Pretend to Sleep at their official site.

Related Official Joy Wants Eternity Site Joy Wants Eternity MySpace Profile

In The Evenings of Regret, Grace Cathedral Park

In The Evenings of Regret, Grace Cathedral Park A reader turned me on to Grace Cathedral Park recently, and I've got to say they're well worth a listen, if you're into instrumental rock music. Not quite as bombastic and dynamic as Explosions in the Sky, and perhaps a bit more introspective and brooding than Six Parts Seven, Grace Cathedral Park plays nice, long, mid-tempo songs mostly built around winding guitar leads.

And when I say long, I mean there are tracks on their debut record In The Evenings of Regret that clock-in at 15 to 20 minutes.

Related Grace Cathedral Park MySpace Profile Official Grace Cathedral Park Site

Prelude 2, Dustin O'Halloran

Prelude 2, Dustin O’Halloran

Special Message: If you like Dustin O'Halloran's music, you'll probably enjoy our Ambient Music Blog Podcast, a continuous mix of context specific ambient music available for free.

After logging in to eMusic to grab some links to records for a couple posts, I noticed that there was a new Dustin O'Halloran piece available. It just so happens that I had exactly 2 downloads remaining for the month, so I snatched up the 2 track Prelude 2. The piece was used in a European Audi commercial. The first track is the full work and the second is the shorter edit used in the commercial. It's nice stuff, and definitely worth a listen.

I thought for sure I had posted previously about O'Halloran's Piano Solos, but I haven't. It's a great record of, obviously, piano music. I just realized that he's also released a Piano Solos Vol. 2. It's not currently available on eMusic, so I'm in the process of tracking down a non DRM'ed version.

Here's the Audi commercial [youtube http://www.youtube.com/watch?v=EqjpW-dar2w]

Grab 25 free downloads from eMusic if you don't already have an account!

Related Official Dustin O'Halloran Site Dustin O'Halloran MySpace Profile

Loscil Makes Top Rate Ambient Music

I've been to Vancouver, CA, and it's a nice place. Scott Morgan is from Vancouver, and he makes really, really very nice records as Loscil. I've been listening to Loscil for quite a while, but I've recently been rediscovering just how fantastic his records are, and how absolutely in sync they are with my taste in ambient music. Long, really long, stretched out drones. All the albums are themed, at least as far as the track names are concerned. And it's really not a stretch to hear the themes coming through in the sounds. These are really like ambient concept albums. If you're reading this Web site, you're no doubt familiar with Mr. Morgan's work. But if you're new to ambient music, or you've heard some of the records but not all, you really should just get a hold of any and all of these. And, if you don't have any Loscil records, today is your lucky day! You can grab mp3's of Stases for free!

First Narrows, Loscil Plume, Loscil

Submers, Loscil Triple Point, Loscil

<a href="http://one.dot9.ca/2/releases.php?id=027"Stases, Loscil

Related Official Loscil site Loscil Wikipedia enrty Loscil MySpace profile

Tivoli Audio Model Two Review

tivoli-audio-model-two.jpg I can't hear you! About a year ago I was looking for a solution to the problem of listening to music in my home office out of the not quite so good speakers in my PowerBook. There are literally hundreds of external computer speaker products out there, but I wanted something that looked good and sounded better.

We already had a Tivoli product in the house, that being a Tivoli Audio Pal that we use in the bathroom. The quality of that product means you get a great little radio that can stand up to the humidity and etc. of a bathroom. It's also got a battery, and that's important for our electrical-outlet-challenged Brooklyn apartment.

So once I exhausted the possibilities in the "computer speakers" market, I turned to proper stereo systems as the possible solution. And as I was pleased with my previous Tivoli purchase, that's where I started.

The Competition It's worth noting, I think, that when people think of high quality, compact radio and/or stereo products, the first thing that comes to mind is the Bose Wave Radio. And, from what I can tell, both from using those products myself, and from reading reviews online, that top of mind awareness is much more the result of Bose's endless marketing of the product than it is the quality and/or value of the product. I've been around a number of the Bose products, and while they're certainly fine and serviceable, the cost of the system really just puts them in the "not worth it" bucket, at least for someone who has ears like mine. Plus, I'll say that the looks of the machine just don't do it for me, and honestly, I'm the kind of person who gets value out of the aesthetic design of a consumer product. At least most of the time, anyway.

What I Needed The only complaint I've had with the Tivoli Audio Pal, and it's less of a complaint than it is a statement of fact, is that it's a mono product. This had been an occasional issue in the past when we had taken the Pal out of the bathroom to use in the kitchen with an iPod plugged in. The quality of sound is fine, but you do miss a bit, especially in records that are rely heavily on a stereo setup, like a Beatles record for instance. And that's the kind of stuff we end up listening to in the kitchen, if you're wondering.

With this in mind, I knew that the Tivoli Audio Model One wasn't going to be appropriate for my needs. And, honestly, once I started looking at the Tivoli Audio Model Two, I didn't really look anywhere else.

What I Got I bought the Model Two and it sits on my desk here next to my PowerBook. I use an 1/8" to 1/8" audio cable to connect the computer or an iPod. The sound quality is rather good, as far as I can tell, and the volume and depth of sound this small device produces is surprising given its size. I don't have the two units separated enough to get the best possible stereo reproduction, but given my space limitations, the thing works splendidly. You can see for yourself that the stereo is a fairly handsome little fellow, and like I said before, that's a valuable thing for me.

I Liked It So Much I Got Two! A few months ago, I picked up a second Tivoli Model Two for my living room, and I don't regret the decision one bit. It works great with an iPod, and again, the sound quality and volume fill the room quite well. I'm likely to be upgrading my television some time this year, and we'll see if the Model Two integrates into a home theater setup at all. It's certainly not designed for the task, and so if it doesn't work out, I've got no problem moving the radio to the bedroom if necessary.

A Few Words About Tivoli Audio The company seems to be interested in unpretentious products of uncompromising quality at reasonable prices. I think this sensibility comes through in the way they market their products, particularly in the way they've put videos up on YouTube to help consumers make informed decisions.

[youtube http://www.youtube.com/watch?v=B4tqWmElZw4]

If you're looking for a small audio system that looks good and sounds even better, you can't really do better than the relatively inexpensive Tivoli Audio Model Two.

Related Tivoli Audio Model Two at Amazon.com Tivoli Audio Model Two Tivoli Audio Videos at YouTube

Mono, by Console

Mono, by Console Console is German electronic musician Martin Gretschmann, and another nice recent download is his 2006 release as Console, Mono. It's 11 tracks of relatively short but sweet electronic ambient sounds.

Also worth checking out is his 1997 release, Pan Or Ama. Though a bit more "electronic" and substantially less "ambient," it reminds me of the tech-house stuff you'd hear at warehouse parties from around that same time.

Related Console Wikipedia Entry Official Console Web site Console MySpace profile

Burning Off Impurities, Grails

Burning Off Impurities, Grails Temporary Residence Limited brings us another great record from another post-rock band in Burning Off Impurities, by Portland, Oregon's Grails. The songs aren't quite as melody focused and bombastic as maybe some other Temporary Residence artists we're all familiar with, and I think the result is music that takes maybe a bit more listening to to get. The instrumentation and tempo of some of the tracks is even what a white guy like me might call a bit "Eastern." It's definitely a nice listen if you're looking for something a bit different than the blips and blurps and droning type stuff that I usually talk about around here.

As usual, have a listen to samples on eMusic, or check out the Grails official site for a few downloads.

Related Official Grails site Grails MySpace Profile Grails at Temporary Residence Limited

Tripper, Efterklang

Tripper, Efterklang I've been enjoying Tripper from Danish post-rock outfit Efterklang quite a lot lately. It's got a bit more vocals on it than I usually care for, but as is the case with Sigur Ros, they're a bit whimsical and in a language that means nothing to me, so really the net result is they're a bit more like a another instrument than anything.

From what I can tell from their blog, it looks like they're recording a new record now. Definitely looking forward to that!

Related Efterklang official site Efterklang Wikipedia Entry Efterklang at Flickr!

Tangled Wool, Xela

Tangled Wool, Xela I recently grabbed Tangled Wool from Xela, which is the project of Mancunian John Twells. The record is mostly guitar instrumentals, of the acoustic variety, with swirling and high-reverb background instrumentation. It played through a few times today while I was messing around with some web development work, and it really took the edge off things. I'm looking forward to finding more work from this artist.

Tetsu Inoue

Tetsu Inoue, Yolo I've been listening to Yolo by Tetsu Inoue for the last few days, and I've been kind of enjoying it quite a bit. It's long and quiet and stretched out, but it's got these little bits of glitchy, nearly techno-sounding elements added in that give it a nice texture.

Tetsu Inoue, Ambian Otaku

Though I've had the record for quite a while, I'm really not sure why I haven't investigated this Japanese artist further. If you're new to ambient music and you're looking for a place to start, the first thing you should do is get Brian Eno's Ambient 1: Music for Airports. The next thing you should do is get Tetsu Inoue's mid-90's classic Ambient Otaku. Then put these records on the stereo and take a nap. Wake up, and you're three-quarters of the way towards being an ambient music afficiando.

Related Tetsu Inoue Wikipedia entry Tetus Inoue, Hyperereal

The American Dollar

The American Dollar I wasn't familair with Queens, New York based band The American Dollar until fairly recently, but after downloading their eponymous debut album, I recommend you check them out as well. It's mostly post-rock-ish type stuff with a nice, kind of quirky mix of keys and synth bits. Feels comfortable on a cool spring evening, even down here in Brooklyn.

I have not yet listened to their second release, The Technicolour Sleep, but I suspect it's worth grabbing as well.

Related myspace.com/americandollarband

Songs for the Seven-Eyed Goat, Stone 3

Songs for the Seven-Eyed Goat, Stone 3 I recently had the chance to have a listen to UK-based artist Nick Davis' Stone 3 project's upcoming EP Songs for the Seven-Eyed Goat. The record is quite a nice mix of ambient electronic sounds and meandering guitar melodies. Some of the rhythm tracks are Boards of Canada-esque, and there's just a little bit of a creepyness to the tracks that gives them a nice depth. And I think it's this depth that rewards deeper or repeated listening.

The EP will be released this June, so in the meantime head over to the Stone 3 site and listen to some streams of the tracks, or grab some mp3's of previous work at the Delta 9 Plastic label site.

Related myspace.com/stone3

Solace, by Jakob

Solace, by Jakob Solace, by Jakob

I picked up New Zealand band Jakob's Cale:drew back in December, and liked most of it. So when I noticed a new Jakob record available on eMusic, I picked it up. Solace, by Jakob, is a post-rock-ish record, and a nice one at that.

Their record label, Midium Records, claims the new record won't be out until May 7, 2007, but I've got a copy playing right now that I downloaded from eMusic, with a release date of April 2, 2007. Perhaps their talking about hard copies. In any case, I've got it, it's good, and I think you should have a listen.

Further Reading Jakob Wikipedia Entry Jakob bio at Midiumrecords.com myspace.com/jakobmusic

Three Records You Should Have

Hard to really say this is "ambient" music, but, it's my website, I can do what I want. As far as intstrumental rock, or post-rock, or what have you goes, you certainly do worse than The Six Parts Seven. The music will sound a touch familiar if you're into that other post-rock band, but this stuff is certainly a touch less "epic" or even "progressive." I'm finding the records below to be a really nice accompaniment to the first real spring like mornings and evenings we're finally getting here in New York City. I think you should have a listen to these yourself. Casually Smashed to Pieces Casually Smashed to Pieces

[Everywhere][And Right Here] [Everywhere][And Right Here]

Things Shaped In Passing Things Shaped In Passing

Somewhere Someone Else, Wes Willenbring

A very nice recent acquisition via emusic.com is Somewhere Someone Else, by Wes Willenbring. The record has a really nice pace, and has a nice variety of instrumental sounds, from piano to guitar and on to more traditionally "ambient" sounding stuff. The record sounds maybe a bit "cold," but I mean that mostly in the way I meant when I was talking about the Angels of the Universe soundtrack. This means it might get pushed out of rotation for a while as spring and summer come along, but it's certainly something I see getting a lot of plays towards the end of the year. It's definitely something I recommend you have a listen to. Wes Willenbring's web site offers some tracks via streaming if you're not an emusic user.

Soundtracks, Part 2: Hilmar Orn Hilmarsson & Sigur Ros, Angels of the Universe

Note: This is part two of an n part series.Read part one: Soundtracks, Part 1: Michael Brook, An Inconvenient Truth

Angels of the Universe by Hilmar Orn Hilmarsson, with contributions form Sigur Ros.

Angels of the Universe

This record makes me feel like I'm in Iceland. And I've never been to Iceland. I've been wanting to go to Iceland for at least five years now, since I saw an Iceland Air flight & hotel package advertised on the web. I almost went. And then things in my life changed. Since then, I've seen no less than a half-dozen travel shows on Iceland, the partying in Reykjavik, the hot springs, the trips out into the frozen wasteland. I still want to go. This record reminds me of that each time it comes up in a playlist.

I've listened to this record the past few winters, walking to and from the subway, through wind and snow and ice and rain and burning ears. I wish I could track each listen, but I'm confident I didn't give any of these tracks a listen between April and October. It just sounds cold and bleak. And I mean it sounds cold and bleak in only the very best way.

There's something kind of hopeless and inevitable about most of the tracks on the record, and I find this really comforting. It's mostly string arrangements with the odd, spare guitar or violin melody floating through the middle of it all.

I recommend this soundtrack highly. I think a lot of people probably pick it up because of the Sigur Ros contributions to the last two tracks, which are rather nice. But the first fifteen Sigur-Ross-free tracks are really what make the work worth your attention.

Brian Eno's Luminous

Brian Eno, Luminous Through March 11, if you find yourself around London, you've got the opportunity to check out Brian Eno's Luminous, a "large-scale installation of 77 Million Paintings." As far as I can tell, it sounds quite a lot like what old-school-web-designer-cum-new-media-artist Joshua Davis does these days.

I am, as you'd imagine, a big fan of Brian Eno's music and his thoughts on culture and technology. I'll be in London in just over a week to catch the Arsenal, and so I'm excited to get a chance to take a look at the display. Watch this space for thoughts and photos upon my return.

More Info: Brian Eno's Luminous, at Selfridges & Co.

Soundtracks, Part 1: Michael Brook, An Inconvenient Truth

It's always hard to pin down exactly what ambient music is, and it's usually much easier to point to examples. Much like United States Supreme Court Justice Potter Stewart said regarding pornography, "I know it when I see it." One place where I often "see" ambient music "happening" is in the world of film soundtracks and scores. What I want to do today is talk about a film soundtrack that received quite a lot of plays in my library over the course of 2006: An Inconvenient Truth by Michael Brook. I plan on following up with some discussion over the next few weeks of other soundtracks I enjoy, and so I'm going to call this Part 1 in an n -part series.

The thing that strikes me about the record is the way the tracks make me feel like I'm standing on the surface of the moon looking towards an Earth that is facing some particularly difficult and urgent questions. And what's amazing about this is, obviously, that I've never actually stood on the surface of the moon. Brook's ability to provide imaginitive access to this point of view with a few spare chords and swirling melodies is what makes the record really stand out for me. Of course this is all essentially informed by me having seen the movie, and the exact scene I'm talking about is what Gore uses so effectively to underline his point. But for Brook to be able to pull these feelings to the front months after I've seen the film is no small achievement.

The last track (before the bonus tracks begin), "Earth Alone," is really the subtle winner here. It pulls together the urgency and tension of the movie, the sense of awe one has when considering the magnitude of the earth's atmosphere and how in such a short amount of time we've been able to affect its course. But it's hopeful. This is not a depressing record.

I really recommend you have a listen to the work. It's available as an eMusic download, on CD at Amazon.com, or via the iTunes Music Store, if you don't mind a little DRM mixed in with your purchase.

Stars of the Lid, Brian McBride, The Dead Texan

When I look through my iTunes library, some of the ambient records that consistently rate the highest are courtesy of the Texas duo of Adam Wiltzie and Brian McBride, whether working together as Stars of the Lid, or solo as The Dead Texan and Brian McBride, respectively. The records all kind of endlessly drone on without sacrificing a consistent melodic theme. Traditional instruments are blended together and back onto each other to create some really, really great tracks that reward deep listening as well as they provide comfortable, inconspicuous background music. All of the below are highly recommended.

Stars of the Lid The Tired Sounds of Stars of the Lid, 2001 Avec Laudenum, 1999 Gravitational Pull Vs. The Desire For an Aquatic Life, 1997 The Ballasted Orchestra1997

Stars of the Lid/ Jon McCafferty Per Aspera Ad Astra, 1998

Brian McBride When the Detail Lost its Freedom, 2005

The Dead Texan The Dead Texan, 2004